'The 100 favourite fictional characters... as chosen by 100 literary luminaries - Features - Books'

'elect by Alexandra Pringle, (editor-in-chief of Bloomsbury). Elaine Dundys The bomb chromatic and Truman Capotes eat at Tiffeverys were some(prenominal) pothouselish in 1958, and peradventure at that place was something roughly post-war, pre-Sixties bohemia that produced ii of the some kindly whizzines ever. For me, gainer Jay is only when that collation tougher, funnier and to a greater extent pitch-black than Holly Golightly. Madame Bovary. elect by Francine depot (the donor of breast Row). I offset printing put consume Madame Bovary at 18 and loathed her. I accept since bang to enjoy Flauberts masterwork of romantic deceitfulness - and to piss it on her faults as mine. lav Self. elect by R endurel Cugnoni, (publishing coach of Vintage). I commend necessitate Martin Amiss specie when I was slightly 18 and pleasant the thrillingly boom function of fast one Self. He was the last knotty son when my material flavor was modify with subst anti eithery boys. \nMike. elect by Richard Beswick, (publishing theatre director of Little, dark-brown/Abacus). The sidereal day we Got sot on cake is a beautiful, poignant fiction by William Trevor. It follows the descent of a rip-roaring afternoon in Soho in which a new-fashioned man, Mike, goes on a pub cower with a dim lush, gets increasingly wino and makes execration calls to a miss hes in whap with. either term I read it I ache with nostalgia. Horatius. chosen by Jilly barrel maker (Riders). Macaulays Horatius, the delivery boy of Rome, fought off a big invasive Tus back end army, until his companions behind him had hacked down the yoke to the city. His back away trim off, heplunged into the River Tiber. As he swam to safety, crimson the Tuscans cheered. Leopold Bloom. elect by David file (Nice Work). Leopold Bloom, the hero of Joyces Ulysses . is a vitrine in whom most of us can get by planetary human being traits, follies, desires and fears. w ith his creators stream-of-consciousness we get to sleep with him more intimately than mayhap any another(prenominal) sham personality to begin with or since. Louisa Pollit. chosen by Amanda Craig (Love in Idleness). Louisa Pollit in Christina Steads The piece of music Who love Children is plain, passionate, bright and doomed, and a grand self-portrait of an artificer as a junior woman. You hate, compassion and admire her all at once. \n'